Hamilton de Holanda e a improvisação no Choro: análise de cinco solos sobre composições de Jacob do Bandolim

Abstract

This study investigates the improvisational style of mandolinist Hamilton de Holanda in choro, examining how his musical discourse engages with tradition and/or pushes the aesthetic boundaries of the genre. Improvised solos over five compositions by Jacob do Bandolim, recorded on the albums Jacob Bossa (2018) and Jacob 10ZZ (2018), were transcribed and analyzed, focusing on melodic, rhythmic, harmonic, and interpretative aspects. The analyses addressed key elements of Holanda’s improvisational discourse, based on the identification of technical-musical materials related to melody and rhythm. The research aims to present part of the elements involved in the construction of the artist’s improvisation in choro, as well as to connect them to his historical-musical trajectory and influences. Findings indicate that, although he occasionally incorporates resources associated with jazz and engages in improvisations over entire sections without reference to the original melody, Holanda remains strongly anchored in the traditional choro grammar. This positions him more as a “continuator of tradition” than a “driver of transformation.” Within the scope analyzed, his contribution lies less in rupture and more in the careful integration of “modern” elements into tradition.