Reverberações vocais na arte teatral: Um olhar sensível acerca da autonomia artística nos processos de criação corpóreos-vocais

Abstract

This term paper and undergraduate thesis proposes the reflective analysis of the effects caused by the corporeal-vocal development of the creator-artist’s practice from a descriptive memorial of three main experiences lived inside and outside of the university, namely: the manifesto play “PULSE!” and the discovery of vocality from a musical perspective with Brechtian characteristics. “Como dói o Amor”, which is a creative process of a Commédia dell’Arte show and the importance of masks for the development of the “Belão”’ character and his potential, with an emphasis on his vocal structure. Gota D’Água: reverberations of a speech-language pathology accompaniment for the development of acting work, and sharing the impact of a vocal preparation with a professional specialist for the achievement of artistic autonomy in the processes of creation. Finally, we seek to understand the guiding principles and concepts for the acting work.