Solidão e isolamento: formas da sensibilidade contemporânea em Trilogia da Solidão, de Cão Guimarães [2004-2014]

Abstract

Cities, subjects and feelings - to understand the contemporary historically. This is the triad that runs through the entire dissertative narrative of this study - a thought to history the possibilities of analysis through cinema, starting from the Trilogia da Solidão (composed by the films Alma do Osso (2004), Andarilho (2007) and O Homem das Multidões (2014)), by Cao Guimarães. The work, in two movements, addresses the loneliness and isolation of contemporary individuals, inside and outside the urban space, as well as the performance process of these feelings, seeking to constitute an interpretive mosaic of loneliness, and its effects on the construction of subjectivities, through of the works and putting, for this, several fields in dialogue - such as cinema, philosophy and psychology. In face of, an investigation of the feeling in its diverse faces and aspects, weaving as an assumption the ambivalence of this relationship. The feelings, in this study, are constantly transformed, a kaleidoscope of possibilities that produces, in our way of interpreting, a sentimental cartography in contemporary individuals, loneliness pluralizing in solitude, isolation merges with this plurality in sensitive and ambivalent forms, constituting ways of being contemporary that are historically grounded - a search, through history, to understand contemporary phenomena.