Plante na Praça: considerações sobre um projeto artístico colaborativo

Abstract

The artistic work Plante na Praça is a relational urban and discursive artistic action that was performed in a collaborative way with a community of the Said Chacur squarte, Santa Mônica, Uberlândia - Minas Gerais, Brazil. The present dissertation was prepared in a particular way. Therefore, it was named Dissertação-praça-siteótica . The work was composed by a group of objects; an action and images box, a driver and a notebook of texts that together compose a site. All this things are used to compose a site, of reflections and actions both in the physical and virtual space (on the internet). So, the study works in three ways: i) textual that discusses the artistic theory regarding the field of the present work; ii) imagetics, that allows the reconstruction of the place of Plante na Praça (even though partially); and iii) sensory, suggesting to the reader to move out of the reading space and put himself in action . The text discusses the contemporary art concepts of Site-oriented of Kwon (2008), the Environmental Art of Oiticica (1986), Relational Art of Bourriaud (2009), Aesthetic of Emergency of Laddaga (2012), Contextual Art of Ardenne (2002), critics of Aesthetics Relational, of Bishop (2012) and Kester (2006). In the politics, keeping in mind that an artistic actions is also a social action that interferes with common experience, we discuss mainly the concepts of Action and Liberty, of Arendt (1987); Dissensus and Emancipation, of Rancière (2012); Becoming and Micropolitics, of Deleuze and Guattari (1980, 2004, 2012); The Practice of everyday Life and Anti-discipline, of Certeau (2011).