Da roda de capoeira Angola à sala de aula: um corpo em manifesto

Abstract

This thesis proposes some considerations about the experience as a cultural category, as a path that defies the order of temporalities and sees it as susceptible to one's relationships. Past, present and future coexist only that ancestry can reveal fundamental aspects of the memory. As a living entity, always open to the dialectics of remembering and forgetting, the memory is the everlasting present because it is affective and vulnerable. While considering the reinventions of the traditions in Capoeira, memory emerges as a paramount element for the understanding of the body as the subject that performs a meeting of knowledge and exists as an unstoppable flow of learning, the dynamic creations that don't return, never close, only expand in a spiral. It was proposed a registering exercise trought experiences report, using the researcher's experience as a member of the Angola Capoeira's group Galo Cantô and a teacher in a teaching internship that culminated in the creation of a spectacle, where this experience became a documentary source.