Entre a tradição das máscaras da Commedia dell´arte e a contemporaneidade: desafios e aprendizagens no processo de criação do espetáculo "Do Fundo do Baú" pelo coletivo Os Mascaratis

Abstract

In this dissertation, I try to point out the learnings and challenges present in a creative process involving masks and the theatrical genre of Commedia dell´arte. This is the process of the show “Do Fundo do Baú” performed by the theater collective Os Mascaratis. I return to some characteristics of the original context of Commedia dell´arteand, as a result, my initiation to the mask and training in the mask research group. I situate the emergence of Os Mascaratis collective and how the process of assembling the show takes place. The route shows the importance of the technical training for the actors in mask; the collectivized process of creation, with the form of creation of each mask and the insertion of Charlatães being, especially relevant, since, extrapolating the dramaturgical resolution, it is configured in an important procedure of the expansion of the game between the actors and their relationship with the audience.