As múltiplas vozes e a constituição dos sujeitos discursivos em O Fantasma de Luis Buñuel, de Maria José Silveira

Abstract

This research subscripts on French Discourse Analysis (DA). Its aim is to analyze the construction process of discursive (s) subject (s) on The Ghost of Luis Buñuel (2004), by Maria José Silveira, and to search how the several voices, permeated by interdiscourse, have established the enunciative subjects identity construction on that novel. Thus, we propose to answer the following questions: 1) How do the different enunciative voices, passed by interdiscourse and the multiplicity of discursive subject, helped to compose the discursive inscriptions constituents and constituent in/from the book? and 2) What are the discursive subjects construction and identities building like? We propose an analytic-descriptive and qualitative research of an interpretative nature, in which materiality language cut will serve like a starting point to analyze how the discourse works. Through the evidence obtained in a theoretical framework guiding, we will do a detailed analysis of discursive sequences from the corpus. For this analysis, we will proceed to a description of events related to the polyphony and heterogeneity in the discursive manifestation of the corpus. Based on that theoretical and methodological proposal, which implies an entry in the discursive field of DA, we will focus on our study object. In that process, questions will be focused on: the relationship between the subject and the discursive crossings which involve its discursive practices; the historical and ideological consequences that, in a discursive continuum which cross discursive practices, cause the enunciative event of the novel; the interpellation ways of subject-positions, buoyed by interdiscourse; the relationship between institutional meanings and social meanings, observing the interdiscoursivity that marks the words of those enunciator-subjects that lived in a specific historical period (1968-2003); the discourses established like truths or dogma of a discursive, social and collective memory, set up ideologically; the power relations that involve the discourse in the work; and the discursive constitution processes of subjects and discursive crossings related to that constitution. To achieve our purpose, concepts like subject, discourse, discursive memory, enunciative heterogeneity, identity, power relations and polyphony will be recurrent, because they are necessary for a discourse analysis promotion of the sequences cut from the textual materiality of the corpus.