Branco ou Augusto?: a duplicidade em cena: o palhaço em "estado" de "transformação"

Abstract

This dissertation work the issue of types classic clown circus for the knowledge of the area on the subject, and the performance (practical and theoretical) of red nose in the theater, through the analysis of theories and practical examples analyzed (the Força hercúlea of "A.la.pi.pe.tuá!" and Abelha, abelhinha from" Reprisantes "). Relying mainly on studies of Mario Bolognesi and Luis Otavio Burnier, incorporating in this way, concepts that have meaning to the subtitle of this work, transformation and state . It also discusses the representativeness of the clown as a symbol of man on the scene, based on analyzes of the theories of Raymond Williams, Jean Chevalier, Mikhail Bakhtin, Junito de Souza Brandão, John Rudlin among others. Through the cuts applied, we study the interplay of relations of the clowns, and the formulation of "duplicity", white and august. For that, fundamental understandings of the theories and practices Ricardo Puccetti, Lily Curcio, Abel Saavedra, Paulo Merísio, Ermínia Silva, Joice Brondani, Alice Viveiros de Castro, Renato Ferracine, Juliana Jardin, Roberto Ruiz, Narciso Telles, Rose Battistella, Michael Chekhov, Humberto Marques Ribeiro and Ésio Magalhães; practice clowning and theater were the foundation of this work. Therefore, the understandings about culture, society and art guided the research. Seeking interdisciplinary areas of knowledge and fed by concepts such as transformation , state interpretation , Residual , Soul and personality , truth and clown logic applied to the work of clown, this paper promotes discussion practices and theories that reveal theater and circus.