Cruzando histórias de vida, loucura e palhaçaria: desmontagem do experimento cênico Carne Triada

Abstract

This research presents reflections that emerged from the clown work carried out at the University Hospital of the Federal University of Uberlândia (UH-UFU) and its developments in the creation of the theatrical production Carne Triada, which was based on the artists previous experiences in the hospital's psychiatric ward. The objective is to share the creative process through theatrical disassembly, and bring to the stage and writing the discoveries made during this process. One of these discoveries was the importance of clown in shaping the theatrical production, which drew from the sensitivity and experiences in the psychiatric ward as stimuli for choosing madness as the theme of the theatrical research. The actor's preparation, the creative process of writing Carne Triada, as well as the elements in the production, which reveal their meanings and their relationship with the developed context, have become essential pieces in the construction of the disassembly.