Cadernos de Escritos, Notas e Brevidades sobre Atuação Contemporânea

Abstract

His thesis text, a partial requirement for promotion from the Class of Associate Professor to the Class of Full Professor of the Higher Education Career, presents the state of my current studies regarding contemporary acting in its various aspects. The work is composed of a Notebook of Writings, Notes and Briefs on contemporary acting and of a QRCode which leads to the Scenic Disassembly (a fundamental piece of my research) held in the Interpretation Room, block 3M, at the Federal University of Uberlândia. The writing of the texts that make up this thesis is based on a series of notes I made in notebooks and diaries about the meetings and experiences that I went through in the artistic and academic world. Festivals, congresses, colloquia, theatrical show mediations, ideas discussed in rehearsal rooms and classrooms, conversations in bars and cafes, etc. They are remnants, splinters, scraps, sensations and tatters of thought that build my reflections on contemporary action and its dimensions into babblings. Here I also revisit previously written texts and reflections on research-creation processes to rework them from the present moment, from the here and now, from a trajectory in the future, reaffirming their precariousness and ephemerality as are the knowledge of practice. Information about my degree, as well as the record of other intellectual productions – such as articles, opinions, books, panels, guidelines, shows, etc. – are not highlighted here. As the results of my professional trajectory of academic work in the various fields of theatrical and educational knowledge, they are registered on the Lattes Platform.