A estruturação temporal no filme "A chegada": como as características na narrativa cinematográfica do filme configuram uma reflexão sobre uma experiência no tempo

Abstract

This work has the main intention to analyse how the features of the science fiction’s narrative of the movie “Arrival” (2016) allow the reflection about the time experience in it. Therefore, the work researched theories that discuss how the temporality influences in the construction of a science fiction’s narrative and how the conception of time may occur from a communicational process. Based on these studies, the research describe and analyses, using de “Arrival” (2016)’s narrative analyses, how the director of the movie, Denis Villeneuve, used the temporal resources of the movie’s narrative, mobilizing some cinematography resources to adapt them on the cinema screen. The research’s results shows that the movie’s narrative appropriates some temporal resources that allow a non linear time structure and, furthermore, invite the spectator to conceive the reality from a circular time perspective.