Riscos e hibiscos na criação cênica da Cia. Teatro de Riscos: Ribeirão Preto/SP

Abstract

This research reports the main creative processes of Teatro de Riscos Company, from the city of Ribeirão Preto / SP, to culminate in their most recent production: OFÉLIA / Hamlet rock \ MACHINE (2016). In each presented process, I describe and analyze the staging with different criteria which, together, contributed to the language construction of the group. In O Horácio (2010), for example, the chosen vector is related to the study of narrative theater as well as the physical experiment on stage from the text of Heiner Müller. In the second montage – Tentativas contra a vida d’Ella (2012), I work with the experience of images and simultaneity, criticizing consumption and programmed obsolescence. In Quereres (2012), I try to deepen myself into the urban intervention research and actor’s performative state. In Quem nunca viu o mar? (2013), I highlight the experimentation of collective directing. Yet, in OFELIA / Hamlet rock \ MACHINE, I establish a conversation about collectivity and nudity from fragments of Hamletmachine by Heiner Müller. As a theoretical basis, I use notes on theater politics, Hans - Thies Lehmann's point of view on Political Writing in Theatrical Text (2009) and The Post - Drama Theater (2007) and the collaborative process through the creation of stage dramaturgy according to Antônio Araújo (2008), among others.