Luta armada em foco: a guerrilha do Araguaia nas telas do cinema

Abstract

The present work aims at to analyze the Araguaya film: the conspiracy of silence (2005), with intention to perceive which is the representation contained in the images concerning the staged episode, the Guerrilla of the Araguaia. For in such a way, history/cinema is anchored in the relation, sketching which had been the covered ways so that the cinema was incorporated the field of knowing description. In the search for understanding as if it establishes the dialogue between the cited areas, childbirth of the representation notion, standing out that it corresponds to a form to give to visibility the definitive aspect of the reality, not corresponding, thus, to the real in itself. In this direction, I point with respect to the necessity of the historian to be intent to if leaning over on a historical film, perceiving that this possesss a real effect that does not have to be disrespected by the researcher. To reach the explicitados intentions, I nominate as starting point the proper cinematographic workmanship, observing as it presents relations with the gift, that is, as some aspects of the past are retaken to express referring necessities, yearnings and investigations to the moment where it was produced. Being thus, intent for the type of approach given for the producers, what if express in the direction of direction contained in the images that constitute the film.