Elomar Figueira Mello e antropologias periféricas : identidade e crítica à modernidade

Abstract

The twentieth century brought several criticisms of \"modernity\" that was consolidated. These criticisms were highly diverse, such as those made by the Frankfurt School, post-colonial and de-colonial. Aside from the political resistance trough social movements, consolidated the social analyzes the imprint culture. Our intention in this paper, therefore, is to combine artistic and cultural manifestations, in case the music Elomar Figueira Mello, with the political resistance generated by sociocultural transformations provided by \"modernity.\" To do so, we begin the construction of identity conveyed by Elomar as a way to resist the attacks of modernization. Furthermore, the text criticizes the hegemonic discourse modern, namely the scientific and economic, in relation to other discourses that are not based on the same assumptions as the mythical or theological. We also plan to put in prominence resistors cultures gagged by discourse technical, scientific and modern economic hegemonic and show its authoritarian aspects. Finally, we intend to criticize alleged \"purity\" culture in the work elomariana emphasizing the hybrid character of artistic and cultural expressions, especially in that Homi Bhabha calls in-between. Finally, our analysis was based on the ethnography sound documents, print and digital.