Sobre (re)gadores e água; entre fontes e cidades: reflexões sobre o processo criativo do espetáculo Anjos d água TerraCotta Dança Contemporânea

Abstract

This paper brings the possibility of thinking about the connections among body, art and the city throughout dancing in its contemporary aspects. It refers mainly to the concept of modern city, guided from the point of view from Post Modernity. The research interacts with theories and concepts from visual arts, architecture, philosophy and sociology, analyzing the break point path with institutionalized art and checking for proposals of occupying though dance urban spaces, which has the performance ―Anjos d Água‖ as main object of research. The conceptual focus of reflection introduces the operation of Sit Specific Art inscenic arts, emphasizing dancing and bringing out methodologies, esthetics and languages for the flow of art in the environment of the city, with focus in the public space. Analyzing the identities: piece of art and public management, the research introduces a cutting of the recent production in contemporary dance performed in Uberlândia/MG. Giving aspects of development, it shows the possibility of apprehend the creative process in the spectacle ―Anjos d Água‖ as an experience of recording the activities from the group TerraCotta Dança Contemporânea, organized and publicized aiming to highlight its contribution to the history of brazilian dancing. The research presents, in general lines, a political bias for recognizes the relevance of welcoming in the scope of the University researches focused in contemporary dancing, which contributes to amplifying that language, its interdisciplinary processes and dialogues with society.