Processo colaborativo no interior de Minas Gerais: diálogos entre a criação e seu contexto

Abstract

The main objective of this investigation is to systematize a working methodology for the process of creating a theatrical show through collaborative mode with Coletivo Recomendados, a group located in the city of Patrocínio-MG, and to correlate the aspects of the context with the way in which the creation occurs. It is believed that the union between the collaborative process and the sponsored theater scene could be a prominent space for a comprehensive discussion. Usually, when we look at the history of Brazilian theater, the episodes that emerge as transformative and important correspond mostly to productions carried out in large urban centers. The concept of collaborative theater is a recent arrival in the city of Patrocínio, perhaps a pioneering project for the region. The research in progress is of a qualitative, exploratory nature, considering practice as research (FERNANDES, 2014) (HASEMAN, 2002), which is the guide of the instruments for collecting and analyzing data as the process progresses, revealing the resources to be used. It has a theoretical methodological basis supported by the creative process with a conceptual approach in collaborative work in conversation with the context described previously. The main authors studied: Fischer (2003), Abreu (2003), Araújo (2008), Garcia (2006), Nicolete (2002). The guiding research question: Is it possible to systematize a methodology for a theatrical creation process through the collaborative model with Coletivo Recomendados in the city of Patrocínio? This investigation will possibly contribute to the decentralization of research in performing arts, a chance to bring visibility to the work of artists who do not exist on the national artistic map, be it academic or media. Thinking directly about the Patrocinense theatrical movement, in which artists lack new references for the movement to feed, develop and transform the panorama of theater in the city.