Ecos de Solidão - Estudo sobre a criação cênica

Abstract

This work is a reflection on the experiences and scenic development in the creation of the scene “Echoes of Solitude” from the point of view of acting and dramaturgy. The process had its core in the need to talk about women on stage, specifically their bonds, through the work “A Mulher sem pecado” by Nelson Rodrigues. The main elements used in the scenic creation were: diverse daily references to “being a woman”, songs, poems, works by Nelson Rodrigues, acting through intensities, autofictional dramaturgy, and the practice of Rasaboxes. The aim of the scene is to discuss the figure of Nelson's woman of 1940 with the contemporary woman. Her yearnings, individualities, ties, sins and to question her in relation to the present day. Here I also offer some reflections on the direction of the scene and the first contacts with the audience.