Daechwita (대취타): um estudo iconográfico e iconológico do videoclipe de Agust D

Abstract

It is not widely spoken in the academy of International Relations about the interpretation of images and the meaning behind them. By images we understand any form of visual representation of an object, person or context. Images are essential for viewing the past, that is, when we discuss a historical fact, its understanding only becomes clear from the elucidation through iconographic records. It is thinking about the interpretation of images that this work seeks to put iconological analysis into practice. This investigative field is minimally recognized within the academy of International Relations, but it can be applied in the study of objects that bring with them images endowed with meaning. The analyzed object is the video clip of Daechwita by the South Korean singer SUGA. For his investigation we used the three phases of Panofsky's iconology: pre-iconography, our first contact with the work, purely experiential; iconography, the in-depth study of the allegories, context and visual elements of the work; and iconology, the investigation of the author's intentions for artistic composition.