Memorial Analítico: práticas e poéticas vocais empenhados no âmbito da experiência

Abstract

The voice carries the trajectory of the subject (as of the character) who speaks, his unique way of belonging to the world. The current Brazilian theatrical panorama undergoes constant changes, influences, and demands on the actor an adequacy in his corporal-vocal training. Nevertheless, what, then, would this training should be? This work presents an analysis from experiences with students of Performing Arts of the Faculty of Arts Dulcina de Moraes (FADM), in Brasília-DF. The methodological and pedagogical procedures adopted throughout the process revealed a possible path of intensification of the body-vocal perception and, consequently, reached results where it was possible to measure gains in the creative autonomy, as well as in technical-vocal abilities employed in the composition.