Em que século estamos? Novos caminhos e reprodução dos cânones na música de concerto

Abstract

This research presents an overview of the musical practice of the students of the Music Course of the Federal University of Uberlândia, from a catalog of recital programs held in the Sala Camargo Guarnieri, under the direction of the Intermezzo and Prelude projects, from 2013 to 2017. From this panorama, a reflection is made about the formation of musical conception and taste, as well as on the factors that influence such formation. The compositional systems, tonal and non-tonal, serve as parameters for the contrast between, a musical conception formed from the new musical aesthetics, that arose mainly, in the twentieth century and a musical conception based on aesthetics and the traditional tonal repertoire, concentrated in the classical-romantic period.