Viva! A vida é uma festa: Uma análise narratológica musical.

Abstract

This work is to present the history of animation, along with the beginning of sound in cinema, based on the studies of Michel Chion, and in parallel the journey of Walt Disney in the construction of his own studio, this, recognized for revolutionizing the scenery of Cartoon of his time, has his works even after his death, recognized and rewarded. Noting a predominance of music in Disney films, the analysis of the research will be done in order to understand the importance of this, within the recent animation produced by his studio, “Coco”. From the actuational model proposed by the semioticist and narratologist Algirdas Julius Greimas, it is possible to characterize the music, within the script, as object, which relates to all other categories within the narrative proposal.