Uma análise socioantropológica das emoções em Amour, de Michael Haneke

Abstract

The ageing process is accompanied by difficulties, challenges and feelings related to the end of life. The french movie Amour is an example of social representation that look these issues and contributes to expand the discussions of the experiences of old age and love in the relationship of fragility, dependence and finitude. The aim of this work is analyze under the socio-anthropological view of the emotions and the relevance of the thematic on the ageing process in the search for the updating in the debates on the question of identity, social, biological, intellectual and subjective conditions of this life course. It is used as a methodological resource the association of analysis of emotions with the multiple ways of interpreting social representations. Before this exhibition, the work will be dedicated to discuss Amour in order to understand the social representations of old age in the face of death and its relation with the observations made in anthropological and sociological works that discuss the various approaches in this stage life in their particular contexts