Antigamente era assim: as potências de prosear com o público visitante de um artefato museal por intermédio de um documentário

Abstract

The study consists of narratives and story telling being related to analysing the bond between museum artifact and its audience beyond the strengh of the museum experience at the time of the visit caught in a documentary film called Antigamente era assim. The film was recorded at the museum artifact titled Casinha de Barro, located in the Museu de Biodiversidade do Cerrado in Uberlândia - Minas Gerais. In addition to the visitors' records, we dialogued the speeches emanating from the field observations by composing a story elaborated collectively with artists that were invited by the documentary producer. The scenes were analyzed from the perspective of Mikhail Bakhtin's concepts on polyphony and emotive-volitional tone to deepen the relations between the public and the museum artifact. In the documentary, we organize the narrations by themes signaling them with hastags. During the film, stories about the #wishing in the #biobuilding of the clay house during its genesis; And in the interaction of the public with the artifact, many #reminiscences of living in this type of home echoed: the #delight of the deeper relation between mankind and nature and how it was to # enjoy life on the farm, in addition to # resonances of particular memories brought to life when visiting that place.