A instabilidade da carne: uma pesquisa acerca do processo criativo em dança pela via do sensível

Abstract

This paper addresses the writing practice as part of the creative process which the author develops in her on artistic practice. The investigations and questionings within this written piece come from an interest in knowing the arts through a sensitive experience. Although this process does not result in dance practice, it reveals in its scope matters that also involve dancing by creating an invitation to think about the creative process as a place to develop a corporeal practice in which is possible to create/recreate/decreate and also to build/rebuild/destroy a corporeity. For those practices it is suggested here that we be open to being crossed by the non-certainty, by the experience of the Sensitive enveloped by the silence, by happenings, by the “instant-now”, which marks any reflection about presence. This corporeity proposes to reveal itself through the instability of the flesh, in the very cutout of each creative body’s autonomy and singularity. Questionings about the technique and its relation to the audience, work and artist cross the text with the intention of enrich the discussion suggested about the creative process in artistic dance. Therefore, what I write does not intend to be conclusive. It is a report of “something” related to the investigation of the methodological and epistemological principles that touch the creation and investigation of art, instead of being a proposition of a method for any specific creation. Movements weaved/operated by the art of being in movement.