Poesia de deuses e de homens: trans-poemas em Dora Ferreira da Silva

Abstract

Dora Ferreira da Silva, paulist poetress, has a huge literature publishing. From 1940 to 2004, she has 10 published books, added, still, 3 posthumous publication. She translated well known writters as Rilke and Jung, and was the founder of Cavalo Azul Magazine. Among her publishing, the posthumous work Transpoemas is known as the main corpus to reflect about the poetic work in two traditional’s postures: the poetry as an inspiration and as a construction. The theorical approach is hanged on imaginary critics and takes up some classical antique authors. On the research’s developing, lifts the fundamental supporting pillars, in which lies and sustaints the research’s analysis done, fundamentaly bachelard’s phenomenology. Inside this imaginary framework, the twelve songs group from Transpoemas is analysed, trying to interpretate simbolic and mythics procedures from literature’s creation, analysing if the formal aspects and the images that the poetress uses, observating if they are migratory inside her work. The research completes with a group of poems that talks about the poetic work, separating the colaboration between inspiration and art work. The research outburst in the relation of Orpheu’s myth, the language’s foundour and representative, with the metapoems Canto Órfico, Orfeu and Órfica, also associated to the poetress mark, the transcendent poetry with the recurrent nature elements and the enchanted work with images, procedures that takes readers to build lots of reading possibilities about the poetic work, so unique in Dora’s.