Sentidos do discurso religioso em trilogia do invisível, de Eric- Emmanuel Schmitt

Abstract

This paper aims at reflecting on religious senses as a manifestation of interdiscursivity in Eric-Emmanuel Schmitt s Invisible Trilogy. Such interdiscursivity emerges from an aesthetics composition conceived in a linguistics exteriority, considering ideologies in movement through History. Thus, senses are constructed by heterogeneous voices realized as Subject instances. A theoretical framework on French Discourse Analysis was composed, taking as referential bases Mikhail Bakhtin s studies on dialogism and Stuart Hall s cultural studies. It has been taken as analysis variables, concepts of discursive formation, interdiscourse, polyphony and diaspore. In the analysis it has been taken as corpus the tales: Miralepa (2003), Mr. Ibrahim and Alcoran flowers (2003) and Oscar and Lady Rosa (2003), which compound Eric-Emmanuel Schmitt s Invisible Trilogy. Such analysis has been conceived through interdiscursive relations compiled from characters speeches inscribed in enunciative manifestations of religious discourse. Eric-Emmanuel Schmitt s Invisible Trilogy, more than a literary piece, establishes a dialogue among sense effects from a diversity of discursive places, showing a polyphonic singularity expressed by a set of diasporic senses.