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DC Field | Value | Language |
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dc.creator | Costa, Grace Campos | - |
dc.date.accessioned | 2023-03-07T12:30:23Z | - |
dc.date.available | 2023-03-07T12:30:23Z | - |
dc.date.issued | 2022-04-13 | - |
dc.identifier.citation | COSTA, Grace Campos. Faça você mesmo: punk e moda pelos fios da memória de Vivienne Westwood (1971-1985). 2022. 145 f. Tese (Doutorado em História) - Universidade Federal de Uberlândia, Uberlândia, 2022. DOI http://doi.org/10.14393/ufu.te.2022.167 | pt_BR |
dc.identifier.uri | https://repositorio.ufu.br/handle/123456789/37432 | - |
dc.description.abstract | The research aims to understand the punk aesthetic from the perspective of Vivien Westwood and understand how it dialogues with street and youth fashion and puts it on the catwalks. For this, we analyze not only Westwood's trajectory, but also that of his ex-partner, Malcolm McLaren, based on their artistic references. Finally, we will see the importance of MTV for the discovery of fashion and how the channel was important for the stylist's career. | pt_BR |
dc.language | por | pt_BR |
dc.publisher | Universidade Federal de Uberlândia | pt_BR |
dc.rights | Acesso Embargado | pt_BR |
dc.subject | Vivienne Westwood. | pt_BR |
dc.subject | Moda | pt_BR |
dc.subject | Punk | pt_BR |
dc.subject | Malcolm McLaren | pt_BR |
dc.subject | MTV | pt_BR |
dc.subject | Fashion | pt_BR |
dc.title | Faça você mesmo: punk e moda pelos fios da memória de Vivienne Westwood (1971-1985) | pt_BR |
dc.title.alternative | Do it yourself: punk and fashion for the memory wires of Vivienne Westwood (1971-1985) | pt_BR |
dc.type | Tese | pt_BR |
dc.contributor.advisor1 | Ramos, Alcides Freire | - |
dc.contributor.advisor1Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4727091E4&tokenCaptchar=03AEkXODD76hfZtaX1WXONdV-j1LZYORd3oyqauHVRT0hS0BoZVXJHR-CGXR8LTzuD3pJfK_R0KpSfZ6ghiT5jKrut_FlVVx8Lb7Nq2KJlPqdwKLdEQAvK5CUsW2Npe15uTqzsPhf4ubynKBPjlbRsqLqRwA5QqYysdDT7yfFPfo_WiNNDUXTwljOQHJLYfXWhpIigmiAtMICpepx3WcVSXQYIXZJva-fKNFO7tHtCOhJUB2Z-V1mPebmXOs-105ckpq2qoOgp6_lN7atM-p20fKkIYJqSIvnZhW52l7fQdZR9Ip7aEOC20VTC7BHMGnePcJLvbqn3RN5ttSQ24UEDwex4wYv6Re1w-ePUUZaobDy9abTSM3EYCjTX3APg91WBVuCQj4TaWow7BoxPZf1xL8xsaEgzJuHpnkMryvfld_TcAqjWr3ojWYRHoKov-dAf3fm-xw0ZKSr2C8uwcP5JS_aXPidfs5j469eetaEUR5MJ5HPjyJphBA79YotslJEzFv_YeszgW8ZtU3Co33VeJ8ihyZJ9lwrrSg | pt_BR |
dc.contributor.referee1 | Ramos, Rosangela Patriota | - |
dc.contributor.referee1Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4784170P4&tokenCaptchar=03AEkXODAVID5fTbv3Btm_ciil-qENPFSeoAZMNEsjEiNJ6iY7LTGGt0-XRLe3TOyNWHMXlwdlePWd8xGZwfaJeacLmlhmBTCKINqxvrdN5LskV0fb5tyFcjXi9uHgl7Bj2vvFkA83bP5oF5yDhK5SsbX_tYc-G4tejPXxqDbtkW-ksbfxxuIyeI-cN5E1x3OG8HLkBwNErPSlMC4QpG8a5J9dQYznGcfoRnCzz83E5G-btn2z3FqQWLg--vRWfbINfYkdCjh-o32bSq51vO-jbQPCtf_gQ2wSLApGAk641lZveFVsZZMuFoE6eHOKhzugIDvPdr-F6gel4BpqpXw9S8QWkOyv-oYwleiUWZj7-BdtX5_qf8setvbAeO8CgiXjIn4wWp9jOh765ErW2XbWO90PyGaWkhSDe0uiUfF-je_atBbJgz-GJBS00w-uiYX8jmoi5u-0OrqYrXLQbBJw0V4Juob1H15AT7RUoBb9XMyb51Zwku3W_P-1sd9dUCol35tiU9eyS-DFOmUTT2G7Qo_0KC6iM8jTnA | pt_BR |
dc.contributor.referee2 | Vieira, Thaís Leão | - |
dc.contributor.referee2Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4702256A1&tokenCaptchar=03AEkXODCgZ8tnCi_7JTk20pp25sylLuDwko1q783zc8vj1BcqTZ_ceQrqhpJylKcvHKbFSZ4cYBUD_FIJY7flq3w_AOIjRtfr1C3QiFkn5PhoeOq0m_w4QuuFRRB_j-Yjfy1PSiOgAJMNt00FapRsj52Qsnd4TSvKw0sUao4qgCk-X7c9ZS4tBYCdI4ylGlFBJuoTH9mZE8Ee7goOLWnHJuOSysiwwoWy8uuV69rioAhxb6uunfITWIyI9aRm4-1IfRfjaZXgMFA3m9oUDsE1Qi8wARlPfiM0SFSRnLvof6Tro9XrLY_XAZe25p9FD5UtqX9uB8rFD3PW6EMtTrcwgvJMlv4RLOFjLoJD_hZXPvSYmRfmIpfMVHW8_AkZ_hcwq6JEgKB__MzaHsJQHuyUif497xrw1hKNUG15pefr3VV2-atYs1qZy_EnneI84k6iD6G-kHoDiQS0X9xWFmIXhKHVbz711tYx8V2Kbsrm8XxRCZ_m19ETDYuJVG-7cmuVnSTGD1yESqYMT8X_Zb9sLjawndJ36N7SZg | pt_BR |
dc.contributor.referee3 | Silva, Robson Pereira da | - |
dc.contributor.referee3Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4353426J0&tokenCaptchar=03AEkXODA1_PqnqEZwjXfxu-xRzN2IQwR843ryYZar8Ka92QW-JWENK81a51lWVMfbV_4D1vZnpb83wikOunSmjGjihyegdKX4psq6XDfRWysgE6vGPK-vMjaMLBKlvqHc7904xrB5eurfs0WnQkmCmu38YOJeFZvyu2L7MgrgCs-Z1cnLUOGg5xt7H3kQPH31AqBXCJy9QUFECnRai2oAjE9R3ittudxUas-hCqlkg572XnP-4c4atbypfiPVvSV2FrCWDqWq5i5YlmsgckZAt4Yjb7HiPX8SQWkf_j1TMpQ96mUcpHQZQ4BDl7IJ-gIKRi2pArDYRxcjax8AV82DWer9t1Dmj8V4yG5bC7smwWWr6x23bxCh3aGV8275LE6rkFF0QrMB51gl5-YEY9nOxSRysKiBC88M_sZJUV_ylNZO7lf9GSyn6Lwj0AHoLngxe6x1KIjhtm6jrpb2d0xmFC4BeZSbuOC-_e_AdQvlcMhlGsiQk-3oLORvb8e7tD8FjUwpXK802O_fCWYjYRs6wim7cVbN10ZeyA | pt_BR |
dc.contributor.referee4 | Duarte, André Luis Bertelli | - |
dc.contributor.referee4Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4253182P5&tokenCaptchar=03AEkXODDIMekpN9-s6sexEfrS7QD1RTyrvWj80BebmaUdlHv8mi3LOMRAXj9p4vQaqHSFywy6yYHcF0j96ddP40_8vgv1t4cD7DYsD6U772rRXdXr8Zu53kpSQQvkBNF9rse6nj3crSWgi7WWRhKs4Uhq5q7syH1HdnW3pG6ISEyP-AZWJ9o4h-CPt_EqGuK-vlNANgNWY0PydTP9tkrXjFHMvC5hyww8bb43xlQHf4q8E1eMcZg7X2odpxttCSpxtNweq810byD7fFOCBYbf6z8ElpRVY2mmNzBDHonnLSiVdBS7Pe0aEn1eoGkBKlxlZdJa20UKV3BN5zW_gqiTE27gLKs1s_cBfd9us1BSS7vY5G6xCRfxBrJlQSbH5iBwW3B_B8DveyuGxeL051xFk2dD3XcMn336meI4qo4f7WhQN2334x-q2pMmgta7QG6rqAnVLe08D6eNbrJFC43Qp46Rs0m1E1RlbzL3_PZpM4YUCPZ0njsohemLz0NpnpjOKoQDV_iyRsJrrSKSNX_ojAdM3izm7k-N-Q | pt_BR |
dc.creator.Lattes | https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4323020Z2&tokenCaptchar=03AEkXODAvcMJZvpjdAYNwjbcGKzkXjDkJ4ydt7bh5mB-LTHmYZiA_RHU9wNP5NEhys1vPUvg3EpSHfdQYjA3DuAQsHmjI0m-pHEbugOcpagrG-ho4FLHPfqFP9QJaEvYvPWqwvX4Vk7aB0zKasuf6wRpejHD8mQ2WqII-9-jyENsOP-CCb-gMr-4IXs-BaX_YKv2LTEZNPFtXICwbwQ76LAxDv9lBTskU1wjg1WSq-z6Nx3MQFgO5mGypA9Q7dQgGz-eTYdcUwXN49fGX8OZL8yQz_ew4jjA6n3PNyYpo2je8k3BUNWyhz3O-CmPO5QYzNMB-FSHZUncwrB8UXCo5P7wdS1v0c4T9rkukvmQX97RloEkQUSSiHz8ldF5z6J9cIcHC9KYP5hGxKaNxQVcfWRt7BpeZK6oxD77N1dlpaDbYCINc7CT5nqbAXsBdUOiHjQIrsRhlUmqMyFL49QE699gXkYlX7zaITmwRmBQp461uO0WJeiZUYqSHyQ2h_GznEimISWtFodwYXv1zzG-H7--bAifTOl5_Lw | pt_BR |
dc.description.degreename | Tese (Doutorado) | pt_BR |
dc.description.resumo | A presente pesquisa tem por objetivo compreender a estética punk sob a perspectiva de Vivienne Westwood e perceber como ela dialoga com a moda de rua e juvenil e a coloca nas passarelas. Para isso, analisaremos não só a trajetória de Westwood, como a do seu ex-parceiro, Malcolm McLaren, a partir das suas referências artísticas. Por fim, veremos qual a importância da MTV para a propagação da moda e como o canal teve importância para a carreira da estilista. | pt_BR |
dc.publisher.country | Brasil | pt_BR |
dc.publisher.program | Programa de Pós-graduação em História | pt_BR |
dc.sizeorduration | 145 | pt_BR |
dc.subject.cnpq | CNPQ::CIENCIAS HUMANAS | pt_BR |
dc.embargo.terms | A presente tese será publicada em e-book | pt_BR |
dc.identifier.doi | http://doi.org/10.14393/ufu.te.2022.167 | pt_BR |
dc.crossref.doibatchid | bce8a55e-d136-42fe-86b5-e19f1b67d5c6 | - |
dc.subject.autorizado | História | pt_BR |
dc.subject.autorizado | Westwood, Vivienne, 1941-2022 - Crítica e interpretação | pt_BR |
dc.subject.autorizado | Moda - Estilo | pt_BR |
dc.subject.autorizado | MTV Brasil | pt_BR |
dc.subject.autorizado | Mulheres estilistas | pt_BR |
Appears in Collections: | TESE - História |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
FacaVoceMesmo.pdf Until 2025-01-06 | Tese | 9.73 MB | Adobe PDF | View/Open Request a copy |
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