Efêmero animado: o vazio como elemento na criação de desenhos

Abstract

This work allowed the development of the amplification of a fully drawn animation short frame by frame, conveying all the formal elements of the drawing, while the illusory effect of the animation is caused by the gap between the drawn frames that the human brain imagines. In this perspective, the problematization is how the “Ephemeral” production contributes to the understanding of the researcher's creation element from the conceptions of emptiness focused on the drawings. The general objective is to analyze the creation process with a focus on the design and the emptiness of its visual composition of the frames from the production “Ephemeral”. More specifically, contextualize the void; characterize the creation process and articulate the stages of the animated ephemeral work. The magnitude of this research is justified since the creation process in visual arts is a topic that needs to be continuously addressed, because it is temporally modifiable and because it depends on being an artist. In addition, the artist's creation process is the most valuable part of the work. The theoretical framework of this research brought renowned authors such as: Amaral (2023); Braga (2017); Bruner (2002); Derdyk (2001); Fontoura (2013); Gonçalves (2012); Duarte (2010); Helerbrock (2023); Michiko (2014); Magalhães (2015); Morais (2015); Nietzsche (2001); Nietzsche (2011); Pichler (2016); Salles (2006); Salles (2008); Sartre (2008) e Tarkovsky (2002). The methodology of this research was of a narrative nature, considering that the creation process focuses on the void as an element of formal and existential representation. It is concluded that the records of materials allowed the mapping of the different forms that the void employs as an element in the creation of drawings. This creative process developed in this research on Animated Ephemeral animation highlighted the formal aspects of drawing, relating its narrative to the technique employed of emptiness.