"Por aqui é o cinema do terceiro mundo, é um cinema perigoso, divino e maravilhoso": Cinema brasileiro, Estado e Indústria na década de 2010

Abstract

The Brazilian cinema remains conditioned by two structuring factors: State public policies (or the lack thereof) and the imperialism of the US cultural industry. Therefore, considering the topicality of the theme, the main purpose of this monography is to analyze the relation between the Brazilian cinema and the State in the 2010s, starting from the state action carried out through cinema public policies and the brazilian National Cinema Agency, Ancine. The research will ponder about the role of a state agency in the cultural, economic, and political disputes that the cultural industry incites, in addition to investigate its activeness between the governmental alternations of the 2010s decade, which encompass the PT’s cultural policy of the mandates of President Dilma Rousseff (2011-2016), the fracture of Michel Temer's term (2016-2018), and the first year of Jair Bolsonaro's term (2019), ending the decade in this year due to the rupture that coronavirus pandemic represented for national and international cinema and the new issues brought by it.