Poligrafia objetual ou herança inventada: ressoâncias coletivas em um coisário pessoal

Abstract

The following dissertation has as its thematic horizon the relations of the industrial object in the transit between the spheres of art and society. More specifically, two approaches are considered with the intention of penetrating what Abraham Moles (1972) will define as the society of the object. The first, based on a critical and historical investigation of modern urban and industrial society, seeks to understand the points of social friction, with regard to the rise of objects to the plane of daily life. The second line mentioned, takes into account practices, processes and authorial poetic works, developed between the years 2011 and 2017 and, elaborated from a temporal dynamics of observation, collection, accumulation and processing of objects retained in a domestic spatiality called of coisário. The term coisário, extracted from the text of Gaston Bachelard (1988) "The Poetics of the Reverie", is configured for the author as a concept and a space that is conducive to an approach that seeks to unveil issues related to objects. Following the trail of artists and authors such as Aman, Jean Baudrillard and Abraham Moles, who, when they do not make it clear, imply the condition that multiple objects are the ones that can best inform about society, we seek in this work, starting from the analysis of the dynamics that object enables between art and society and, also, the analysis of the relations between the artist and artistic practice, the understanding of the place and the meaning of the object in my practice and visual production.