"Estamos em pleno mar!": análise das continuidades representadas através do conflito geracional da classe média brasileira na composição alegórica de Tudo Bem (Arnaldo Jabor, 1978)

Abstract

This monograph has as central goal deconstruct the "internal structure" of the film object Tudo Bem (Arnaldo Jabor, 1978), specifically, their possible representations of historical continuities through the Generational Conflict of the Brazilian Middle Class during the decomposition of the Economic “Miracle”, allegorized in the document . In this sense, the development of the historical procedure of this monographic narrative has: a biographical analysis of Carioca Filmmaker Arnaldo Jabor, highlighting his interest in the Brazilian Middle Class; the analysis of the construction of the plot, script, production and launch of Tudo Bem; hermeneutics of the historical traces in the film; localization of the set of evidences within the Class Theories, meaning the perspective of interpretation of the Brazilian reality through the conceptual key of "Middle Class"; and, finally, relate, through a brief contrast, the results of the research with another matrix of historiographical interpretation on the subject, emphasizing and checking critically their convergences and divergences.