Nara, Gal e Elis: uma análise interpretativa durante os anos de censura

Abstract

The present work was developed aiming to comprehend if the censorship applied to the artists, implemented in the military dictatorship, fomented musical interpretations as a resistance method in the works of the singers Nara Leão, Gal Costa and Elis Regina, focus of this research. Further on, we fetch to identify converging points between those three singers that would possible characterize the expression of a political-ideological behave against the military dictatorship occurred in Brazil during the years of 1964-1985. Trough the analysis of videos, audios, disk covers, thesis, essays and articles, the research fetch common elements for the framing of the interpretation of songs of protest, and how these elements were used on the performances, that aimed to denounce the citizens situation, as well as the Brazilian’s artist.