O corpo em superposição: é possível o corpo existir sem presença?

Abstract

The study I proposed was based on my body guided by the cartographic perspective that through the meetings, pairs and interlocutions were able to evoke the history of the body and to update according to the phenomena contingencies. Thus, the recursive aspect of the process generated the question: how does the body exist without presence? This was adopted as the avatar of intentions; metonymically the objective response was less essential than the tributaries arising around the issue. The question emerged in my body not as an ordered proposition but as affection: something capable of constructing a language, in the form of a work of art. Processuality required the researcher to confront his cognitive models in order to find the emergence of a work request. On the other hand, the creative crisis exposed the fragilities of the researcher (artist) to right after be relativized by the encounter and turn it into a creative force. In research field I put my body to the test discovered the observation as a generator of possibilities. As a result, breathing emerged as the request for work. Thus evoking my body beyond the epithelial limit: matter, wave, noise and action, a body in superposition. Experimentally the body's breathing was captured in four states and then edited in four channels (R and L) to transform it into a sound installation.