Linha, forma e cor: a construção do elemento geométrico pictórico

Abstract

The use of lines and colors for the creation of pieces, as well as geometric abstractionism, coming from the neo-concretist movement in Brazil, allowed artists freedom of creation and, to observers, freedom of interpretation. This work presents the process of developing a series of productions based, from the author's own perspective, when interpreting the works of the movement. Searching for references in the paintings made by outstanding artists, the objective was to produce a series of paintings that would refer to geometric abstractionism, urbanism, patterns and combinations of colors that would provide interpretation according to the observer himself, without leaving obvious the perception of the artist in relation to her own works. The resulting works are concise and coherent with the initial proposal and presented, at the end of it, exposing the influences of the movement in the production of the series Line, Form and Color.