Corpos habitáveis e habitados: metodologias para processos cênicos com bonecos híbridos

Abstract

This dissertation aimed to research and understand methodologies for creating scenic processes with hybrid puppets. This process sought to verify the use of common technical procedures among them, including the use of co-presence. Initially, we started with the study of terminologies involving the names puppet, hybrid, and hybrid puppet, to then propose possible nomenclatures within the languages of contemporary animation theater. In a second moment, a study was undertaken of the statements made in the online meeting in live format between Brazilian artists dedicated to hybrid puppets regarding the definitions and poetics of this language, held in July 2021 and promoted by the Rede de Bonequeiras Brasileiras. A survey of the recurrences found in the artists' statements was carried out, followed by an analysis of their creative processes and characteristics of working with hybrid puppets.