https://repositorio.ufu.br/handle/123456789/19942 Sun, 20 Sep 2026 20:47:12 GMT 2026-09-20T20:47:12Z https://repositorio.ufu.br/handle/123456789/50202 Title: Habitar o entre: processos de criação artística sobre migração, território e pertencimento Abstract: This research investigates the construction of a symbolic space of belonging through artistic production based on the migratory experience of a Northeastern Brazilian artist from a riverside community in the semi-arid region of Bahia. Developed within the field of Visual Arts research, the study adopts autoethnography as its methodological approach to understand how displacement, memory, territory, ancestry, and identity shape the creative process. Throughout the research, autoethnographic writing (Ellis, Adams, & Bochner, 2011) is articulated with the concept of Ethnography at Home, proposed by João Rivelino Rezende (Barreto, 2025), bringing the investigation closer to relationships of community, kinship, orality, and knowledge produced within the artist’s own territory. Alongside the written investigation, artistic production constitutes an autonomous process of inquiry, developed through material experimentation and the relationship between image and support, understood in this research as autoethnopoetics. The research resulted in the artistic series CASA, Entre, Feitos de Rio, Mororó, Apanhadores de Sol, and Fragmentos de Passagem, in which materials such as bricks, mororó leaves, fabric, stones, and prints are employed as constitutive elements of the poetic language. The results demonstrate artistic production as a means of elaborating the migratory experience and constructing belonging, while also contributing to the expansion of self-referential Northeastern and riverside narratives in contemporary art and to the understanding of artistic practice as a mode of knowledge production. Tue, 04 Aug 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50202 2026-08-04T00:00:00Z https://repositorio.ufu.br/handle/123456789/50169 Title: Entre memória e paisagem: cor e subjetividade na pintura Abstract: This thesis investigates landscape painting as a space where memory, color, and subjectivity intersect, understanding the landscape as a language capable of expressing sensitive and affective experiences. To this end, it adopts a theoretical-practical approach based on bibliographical research, the analysis of artworks from different periods of art history, and the development of original paintings. The theoretical framework relies on authors who discuss the historical constitution of the landscape, its symbolic dimensions, and the role of color in the aesthetic experience. Throughout the research, the productions of artists who engage with the investigated issues are analyzed, demonstrating different ways of understanding the landscape as a subjective experience. In parallel, the pictorial production developed during this study highlights the recurrence of elements such as trees, paths, rivers, and horizons, which are understood as images permeated by memory and affect. The results show that landscape painting goes beyond the representation of external space, becoming a field of sensitive investigation in which artistic practice acts as a process of creation and knowledge production, reinforcing its potential as a legitimate form of research in the field of Visual Arts. Mon, 03 Aug 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50169 2026-08-03T00:00:00Z https://repositorio.ufu.br/handle/123456789/50130 Title: Ming's Duty: produção visual de personagens para videogames Abstract: This Graduation Project Paper discusses about the process of character visual development for the original game Ming’s Duty, addressing the use of concept art as a tool to develop each character’s design and the process of animation production to be used in the game. The paper also tackles over techniques and patterns used in both parts of character visual production, taking other games as research references of these techniques. The final research brings the process made of the illustrations and animations for the game project. The paper has as the general objective the concept art development of 10 characters and the animation production of 7 of them. As specific objectives the research has the development of a base story for the game to take place in; the establishment of the game’s mechanics; the analysis of other videogames as references; and the development of characters visual exploration and animation. Wed, 05 Aug 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50130 2026-08-05T00:00:00Z https://repositorio.ufu.br/handle/123456789/50095 Title: Pode uma mãe desejar? trajetória de uma artista-mãe-etc em formação Abstract: This memorial, entitled can a mother desire? trajectory of an artist-mother-in-formation, traces the journey of a Visual Arts student who insisted on creating despite the everyday challenges of motherhood within academic and artistic spaces that so often resist embracing this experience. Between art and life, the works family album, you are dead, the girl is the mother of the woman, and the film fish, buffaloes & vultures intertwine intimate records, experimental techniques, and reflections emerging from the body and memory. Motherhood appears not merely as a theme, but as a force capable of reorganizing time, gaze, gestures, and creative processes, giving shape to narratives that recognize art as a territory of care, listening, and reinvention.; Este memorial, titulado ¿se puede ser madre y desear? trayectoria de una artista-madre-en-formación, recorre el camino de una estudiante de Artes Visuales que insistió en crear, incluso ante los desafíos cotidianos de la maternidad en espacios académicos y artísticos que tantas veces se resisten a acoger esta experiencia. Entre el arte y la vida, las obras álbum de familia, estás muerta, la niña es la madre de la mujer y la película peces, búfalos y buitres entrelazan registros íntimos, técnicas experimentales y reflexiones surgidas del cuerpo y la memoria. La maternidad aparece no solo como tema, sino como una fuerza capaz de reorganizar el tiempo, la mirada, los gestos y los procesos creativos, dando forma a narrativas que reconocen en el arte un territorio de cuidado, escucha y reinvención.; Ce mémoire, intitulé peut-on être mère et désirer ? trajectoire d’une artiste-mère-en-devenir, retrace le parcours d’une étudiante en arts visuels qui a persisté à créer, malgré les défis quotidiens de la maternité dans des espaces — académiques et artistiques — qui résistent si souvent à accueillir cette expérience. Entre l’art et la vie, les œuvres album de famille, tu es morte, la fille est la mère de la femme et le film poissons, buffles & vautours entrelacent des archives intimes, des techniques expérimentales et des réflexions issues du corps et de la mémoire. La maternité apparaît non seulement comme un thème, mais comme une force capable de réorganiser le temps, le regard, les gestes et les processus créatifs, donnant forme à des récits qui reconnaissent dans l’art un territoire de soin, d’écoute et de réinvention. Fri, 26 Sep 2025 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50095 2025-09-26T00:00:00Z