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    <link>https://repositorio.ufu.br/handle/123456789/19221</link>
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    <pubDate>Wed, 23 Sep 2026 03:17:40 GMT</pubDate>
    <dc:date>2026-09-23T03:17:40Z</dc:date>
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      <title>Dramaturgia em Cena: estudo a partir de “Uma mulher Vestida de Sol”,  de Ariano Suassuna</title>
      <link>https://repositorio.ufu.br/handle/123456789/50256</link>
      <description>Title: Dramaturgia em Cena: estudo a partir de “Uma mulher Vestida de Sol”,  de Ariano Suassuna</description>
      <pubDate>Thu, 06 Aug 2026 00:00:00 GMT</pubDate>
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      <dc:date>2026-08-06T00:00:00Z</dc:date>
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      <title>Clitemnestra, a personagem disruptiva de Ésquilo e questões do feminino ateniense</title>
      <link>https://repositorio.ufu.br/handle/123456789/50139</link>
      <description>Title: Clitemnestra, a personagem disruptiva de Ésquilo e questões do feminino ateniense
Abstract: This study aims to analyze the construction of the feminine in Agamemnon, by Aeschylus,&#xD;
through the character of Clytemnestra, investigating how her representation challenges&#xD;
the gender roles established in ancient Greek society. The research is based on the&#xD;
understanding of the Greek tragedy as a space for reflection on the social, political, and&#xD;
symbolic structures of the polis, with particular emphasis on the relationships between&#xD;
femininity, power, justice, and patriarchal order. The study seeks to understand how&#xD;
Aeschylus constructs Clytemnestra as a disruptive figure capable of challenging&#xD;
traditional models of femininity associated with domesticity, submission, and male&#xD;
guardianship. In this sense, the research raises central questions regarding the character’s&#xD;
autonomy, her relationship with divine forces and the curse of the House of Atreus, as&#xD;
well as the boundaries between individual responsibility, fate, and divine intervention in&#xD;
the construction of tragic action. The theoretical framework draws on contributions from&#xD;
Jean-Pierre Vernant and Pierre Vidal-Naquet on myth and tragedy, Werner Jaeger on&#xD;
Greek social formation, Fábio de Souza Lessa on representations of the feminine in&#xD;
Athens, and Lisiana Lawson Terra da Silva in the field of gender relations in Aeschylus.&#xD;
The analysis demonstrates that Clytemnestra occupies a singular position within the tragic&#xD;
narrative by assuming discursive, political, and symbolic roles traditionally associated&#xD;
with the masculine sphere, without abandoning her feminine identity. It is concluded that&#xD;
the character is configured as a complex and transgressive figure whose representation&#xD;
problematizes the patriarchal structures of Ancient Greece and reveals tragedy as a&#xD;
privileged space for discussing the relationships between gender, power, and justice.</description>
      <pubDate>Mon, 03 Aug 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufu.br/handle/123456789/50139</guid>
      <dc:date>2026-08-03T00:00:00Z</dc:date>
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      <title>As relações entre a comicidade e os transtornos mentais presentes na peça TOC TOC</title>
      <link>https://repositorio.ufu.br/handle/123456789/49932</link>
      <description>Title: As relações entre a comicidade e os transtornos mentais presentes na peça TOC TOC</description>
      <pubDate>Tue, 17 Mar 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufu.br/handle/123456789/49932</guid>
      <dc:date>2026-03-17T00:00:00Z</dc:date>
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    <item>
      <title>O ator e as possibilidades de atuação: uma análise da criação no teatro e no cinema a partir do conto "Aqueles Dois", de Caio Fernando Abreu</title>
      <link>https://repositorio.ufu.br/handle/123456789/49404</link>
      <description>Title: O ator e as possibilidades de atuação: uma análise da criação no teatro e no cinema a partir do conto "Aqueles Dois", de Caio Fernando Abreu
Abstract: This undergraduate thesis, developed at the Federal University of Uberlândia (UFU–MG), investigates the actor’s preparation process for performance in both theater and audiovisual media, with an emphasis on cinema, aiming to understand how organicity, impulses, and spontaneity are maintained across these two languages. The research takes as its object of analysis the works produced — a stage experiment and a film — both based on the short story “Aqueles Dois”, from the book Morangos Mofados, by Caio Fernando Abreu (1982). The study analyzes and documents the differences and similarities in the actor’s creative processes in each medium, through the experimentation of distinct acting techniques. The methodology is characterized as practice-led research, combining theoretical study, experimentation within an acting study group — coordinated by the author — and the practical experience of both theatrical production and film production processes. As theoretical references, the research engages with the studies of Constantin Stanislavski, Lee Strasberg, Thaís Mansano, and Sanford Meisner, the latter serving as the main guiding axis of the investigation.</description>
      <pubDate>Thu, 19 Mar 2026 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://repositorio.ufu.br/handle/123456789/49404</guid>
      <dc:date>2026-03-19T00:00:00Z</dc:date>
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