https://repositorio.ufu.br/handle/123456789/19054 Thu, 17 Sep 2026 13:10:06 GMT 2026-09-17T13:10:06Z https://repositorio.ufu.br/handle/123456789/50234 Title: Rita perigosa para a censura ditatorial: disputa de sentidos sobre o feminino em suas composições Abstract: By observing how discourses about femininity are constituted, circulate, and are regulated by socio-historical conditions, (re)producing effects on gender relations and social practices, this study investigates the (re)production of meanings related to femininity, particularly concerning the female body, desire, and sexuality in Brazil during the Military Dictatorship. Unlike traditional historiographical approaches, which privilege institutional politics and, even within the artistic-cultural field, tend to focus on censorship as a direct response to criticism of the regime, this research proposes an analytical shift by considering artistic productions and censorship reports as discursive materialities capable of revealing mechanisms that regulate meanings about femininity. Grounded in the theoretical-methodological framework of Pêcheux’s Discourse Analysis, the study mobilizes concepts such as interdiscourse, ideology, discursive formation, metaphor, and the said and the unsaid, articulating archival research — with emphasis on reports from the Division of Censorship of Public Entertainment — with the analysis of Rita Lee’s compositions banned by the regime. The findings indicate that censorship prohibitions are not limited to sexual morality; they also target discursive movements that challenge gender stereotypes, the family institution, and regimes of containment imposed on the female body, sustained by discourses of moral propriety, thus rendering femininity visible as a site of dispute and ideological control. By articulating this analytical path with contemporary demands in Portuguese language teaching and text production, the study highlights the relevance of educating critical readers capable of understanding and working with the historicity of discourses and their effects on social life, especially in a context marked by the intensification of violence against women. Mon, 23 Mar 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50234 2026-03-23T00:00:00Z https://repositorio.ufu.br/handle/123456789/50152 Title: Vestígios de um país medieval: símbolos e crítica social em O Rei da Vela Abstract: This article examines how specific symbolic elements in Oswald de Andrade's play O rei da Vela contribute to the construction of its social critique. To this end, it analyzes symbols and allegories such as the candle, the marriage between Abelardo I and Heloísa, the duality of the two Abelardos, Heloísa's family, debtors driven to suicide, and debt as a mechanism of economic exploitation. The study also discusses the play's aesthetic devices, including parody, kitsch, metatheatre, the incorporation of circus elements, and its dialogue with Alfred Jarry's Ubu Roi, demonstrating how these resources reinforce the anthropophagic project and the critique of the contradictions of Brazilian society. The analysis is based primarily on the studies of Carlos Gardin (1995), Sábato Magaldi (1997), and Frederico Cabala (2025). Thu, 30 Jul 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/50152 2026-07-30T00:00:00Z https://repositorio.ufu.br/handle/123456789/49843 Title: Reverberações do barroco em Gustave Moreau e Lúcio Cardoso Abstract: This article investigates the Baroque beyond its historical delimitations, understanding it as a persistent imagistic logic. In light of Georges Didi-Huberman’s notion of anachronic survival, this paper proposes a comparative reading of the painting Jupiter and Semele (1895) by Gustave Moreau and the novel Chronicle of the Murdered House (1959) by Lúcio Cardoso. Drawing on Wölfflin, Severo Sarduy, and Victor Hugo, the analysis mobilises concepts such as excess, artificialization, and antithesis, revealing imagistic affinities that conceive the Baroque as an active aesthetic force in the modern imaginary. Wed, 08 Jul 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/49843 2026-07-08T00:00:00Z https://repositorio.ufu.br/handle/123456789/49365 Title: Ecocrítica e literatura infantil: uma analise de "A grande enchente" e "Sagatrissuinorana" Abstract: Este estudio tiene como objetivo comparar las obras A Grande Enchente de Sergio Caparelli y Sagatrissuinorana de João Luiz Guimarães, analizando las representaciones del medio ambiente y la explotación ambiental desde la perspectiva de los tropos ecocríticos y los elementos narrativos de la literatura infantil. Además, busca investigar cómo estas narrativas pueden contribuir al desarrollo ético de los lectores frente a los impactos ambientales contemporáneos. El marco teórico se basa en los estudios de Zilberman (2014), Coelho (1982), Garrard (2006), Debus y Debus (2018), Guattari (1990), Lima (2024) y Aguiar (2022). El análisis destaca la presencia de tropos del mundo natural y lo apocalíptico, así como el potencial formativo de estas obras como instrumentos de construcción de sentido, guiados por las tres ecologías —social, mental y ambiental—, promoviendo la conciencia crítica y la responsabilidad socioambiental. Tue, 24 Mar 2026 00:00:00 GMT https://repositorio.ufu.br/handle/123456789/49365 2026-03-24T00:00:00Z