https://repositorio.ufu.br/handle/123456789/5170 2026-08-26T21:34:36Z https://repositorio.ufu.br/handle/123456789/49848 Title: Os marcadores culturais na tradução audiovisual: um estudo das legendas da série Mindhunter 2026-07-31T00:00:00Z https://repositorio.ufu.br/handle/123456789/49843 Title: Reverberações do barroco em Gustave Moreau e Lúcio Cardoso Abstract: This article investigates the Baroque beyond its historical delimitations, understanding it as a persistent imagistic logic. In light of Georges Didi-Huberman’s notion of anachronic survival, this paper proposes a comparative reading of the painting Jupiter and Semele (1895) by Gustave Moreau and the novel Chronicle of the Murdered House (1959) by Lúcio Cardoso. Drawing on Wölfflin, Severo Sarduy, and Victor Hugo, the analysis mobilises concepts such as excess, artificialization, and antithesis, revealing imagistic affinities that conceive the Baroque as an active aesthetic force in the modern imaginary. 2026-07-08T00:00:00Z https://repositorio.ufu.br/handle/123456789/49840 Title: Do palco à legenda: uma análise da tradução do inglês para o português brasileiro da canção Highway to Hell, da banda AC/DC Abstract: This senior thesis seeks to investigate the translation techniques used in the subtitling of the song “Highway to Hell” by the Australian hard rock band AC/DC. The subject of this study is the subtitles produced for the music video taken from the band’s legendary performance at the Monsters of Rock festival, held at Donington Park, England, on August 17, 1991. This historic concert, attended by more than 72,000 people, gave rise to the celebrated VHS/DVD “Live at Donington,” whose television broadcast in Brazil was a landmark event on entertainment channels such as Multishow and, more recently, on Canal Bis (GloboSat) on the Globoplay streaming platform. The objective of this study is to understand the choices made and their relationship to the cultural and discursive context of the work. To this end, an analysis was conducted of the song in its entirety, as well as of five selected excerpts, seeking to map the treatment of metaphors, idiomatic expressions, and markers of orality in the translation from English to Brazilian Portuguese. The analysis is based on the framework proposed by Molina and Hurtado Albir (2002) regarding translation techniques. The results highlight the occurrence of procedures such as usual equivalence, particularization, amplification, modulation, variation, and compensation. This demonstrates that the translator’s choices are influenced both by the constraints inherent to audiovisual translation related to subtitling—such as screen time and available physical space—and by the need to recreate the effects and aesthetic energy for the Brazilian audience. 2026-07-30T00:00:00Z https://repositorio.ufu.br/handle/123456789/49831 Title: A espacialidade da memória e seus intertextos 2026-08-12T00:00:00Z