https://repositorio.ufu.br/handle/123456789/19118 2026-10-04T07:41:04Z https://repositorio.ufu.br/handle/123456789/49896 Title: De Geraldine Jewsbury a Jane Carlyle: análise dos aspectos composicionais das cartas a partir de uma tradução comentada Abstract: This work comprises in an analysis of the compositional elements of the first three letters sent from Geraldine Endsor Jewsbury, a 19th-century English writer, to Jane Carlyle, a Scottish author, through an annotated translation, carried out by the author of this research, based on the epistolary structure systematized by Tin (2005b). The method used was the annotated translation, as it highlighted the necessary strategies to be used with each of the compositional elements in the original text. The object of study included the first three letters of the collection “Selections from the letters of Geraldine Endsor Jewsbury to Jane Welsh Carlyle, organized by the biographer “Anne” Alexander Ireland. This topic was selected because of the small amount of studies about the works of Geraldine Jewsbury in Brazil and because of the marginal role occupied by the epistolary genre within the scope of academic research in Language and Literature studies, despite representing an important medium of women’s expression, mainly among women writers of the 19th and 20th centuries. The results showed aspects which were described in Tin’s (2005b) studies and were used several times by Jewsbury over the course of the letters, which were reflected in the Portuguese translation through strategies made and described during the annotated translation. 2026-07-30T00:00:00Z https://repositorio.ufu.br/handle/123456789/49848 Title: Os marcadores culturais na tradução audiovisual: um estudo das legendas da série Mindhunter 2026-07-31T00:00:00Z https://repositorio.ufu.br/handle/123456789/49840 Title: Do palco à legenda: uma análise da tradução do inglês para o português brasileiro da canção Highway to Hell, da banda AC/DC Abstract: This senior thesis seeks to investigate the translation techniques used in the subtitling of the song “Highway to Hell” by the Australian hard rock band AC/DC. The subject of this study is the subtitles produced for the music video taken from the band’s legendary performance at the Monsters of Rock festival, held at Donington Park, England, on August 17, 1991. This historic concert, attended by more than 72,000 people, gave rise to the celebrated VHS/DVD “Live at Donington,” whose television broadcast in Brazil was a landmark event on entertainment channels such as Multishow and, more recently, on Canal Bis (GloboSat) on the Globoplay streaming platform. The objective of this study is to understand the choices made and their relationship to the cultural and discursive context of the work. To this end, an analysis was conducted of the song in its entirety, as well as of five selected excerpts, seeking to map the treatment of metaphors, idiomatic expressions, and markers of orality in the translation from English to Brazilian Portuguese. The analysis is based on the framework proposed by Molina and Hurtado Albir (2002) regarding translation techniques. The results highlight the occurrence of procedures such as usual equivalence, particularization, amplification, modulation, variation, and compensation. This demonstrates that the translator’s choices are influenced both by the constraints inherent to audiovisual translation related to subtitling—such as screen time and available physical space—and by the need to recreate the effects and aesthetic energy for the Brazilian audience. 2026-07-30T00:00:00Z https://repositorio.ufu.br/handle/123456789/49799 Title: A Ilusão da Invisibilidade: a subjetividade discursiva do tradutor em Bliss de Katherine Mansfield Abstract: This study examines the translator’s discursive subjectivity through the analysis of four Brazilian Portuguese translations of Katherine Mansfield’s short story Bliss. It is based on the understanding that literary translation is not a neutral process of linguistic transfer but an interpretive practice that produces meaning. From this perspective, the study widens Venuti’s (1995) notion of the translator’s invisibility and adds that every translation is shaped by interpretive acts produced by historically constituted subjects. The theoretical framework draws on French Discourse Analysis, particularly the works of Orlandi (2009) and Pêcheux (1999), in dialogue with Foucault’s (1996) conception of the subject and Venuti’s (1995) discussions of domestication and foreignization. The corpus consists of the translations of Bliss published by Cupertino (2000), Albano (2020), Vidal (2023), and Varjão (2024). The analysis compares selected translation choices, discusses the strategies adopted by the translators, and relates these choices to the historical, editorial, and professional conditions that shape each translation. The findings show that the differences among the translations result not only from linguistic preferences but also from the conditions of production that constitute translators as subjects of interpretation. Finally, the study argues that the translator’s subjectivity should be understood not as the expression of individual intention but as a discursive effect produced through the relationship between language, history, and ideology, allowing the translator to be understood as a translator-author. 2026-07-30T00:00:00Z