https://repositorio.ufu.br/handle/123456789/35413 2026-04-11T14:26:18Z 2026-04-11T14:26:18Z https://repositorio.ufu.br/handle/123456789/47861 2025-12-16T06:27:36Z 2025-12-10T00:00:00Z

Title: Música eletroacústica mista cênica: aspectos composicionais e interpretativos da série reflexos Abstract: In this thesis, strategies that can bring general audiences closer to electroacoustic mixed music by means of integrating instrumental performance and scenic elements were investigated. It aims at answering whether the incorporation of these elements could enhance the connection between performer and electroacoustic sounds, thus facilitating their reception. The hypothesis is that, by establishing clear or playful links between gesture and sound, often producing the illusion of cause and effect, listening becomes more accessible. The main goal was to compose the series named as Reflexos, in which scenic aspects strengthen the interaction between music and performance. The specific objectives include: reflect on the relationship between Electroacoustic Mixed Music and Scenic Music; develop a notation system that addresses the synchronization between sound layer and scenic action; create the electroacoustic part mainly from processed instrumental sounds; and carry out performances that foster critical reflection. The methodology combined theoretical research, compositional experimentation, and performative practice. The result engendered a hybrid proposal, coined as Scenic Electroacoustic Mixed Music, which, by articulating sound, gesture, and visuality, demonstrates potential for reducing barriers in the listening experience of experimental music.

2025-12-10T00:00:00Z https://repositorio.ufu.br/handle/123456789/41954 2024-08-01T06:18:47Z 2024-07-23T00:00:00Z

Title: Cadernos de Escritos, Notas e Brevidades sobre Atuação Contemporânea Abstract: His thesis text, a partial requirement for promotion from the Class of Associate Professor to the Class of Full Professor of the Higher Education Career, presents the state of my current studies regarding contemporary acting in its various aspects. The work is composed of a Notebook of Writings, Notes and Briefs on contemporary acting and of a QRCode which leads to the Scenic Disassembly (a fundamental piece of my research) held in the Interpretation Room, block 3M, at the Federal University of Uberlândia. The writing of the texts that make up this thesis is based on a series of notes I made in notebooks and diaries about the meetings and experiences that I went through in the artistic and academic world. Festivals, congresses, colloquia, theatrical show mediations, ideas discussed in rehearsal rooms and classrooms, conversations in bars and cafes, etc. They are remnants, splinters, scraps, sensations and tatters of thought that build my reflections on contemporary action and its dimensions into babblings. Here I also revisit previously written texts and reflections on research-creation processes to rework them from the present moment, from the here and now, from a trajectory in the future, reaffirming their precariousness and ephemerality as are the knowledge of practice. Information about my degree, as well as the record of other intellectual productions – such as articles, opinions, books, panels, guidelines, shows, etc. – are not highlighted here. As the results of my professional trajectory of academic work in the various fields of theatrical and educational knowledge, they are registered on the Lattes Platform.

2024-07-23T00:00:00Z https://repositorio.ufu.br/handle/123456789/35731 2025-12-29T14:37:28Z 2022-08-10T00:00:00Z

Title: A contribuição dos periódicos na pesquisa bibliográfica sobre Dinorá de Carvalho Abstract: This thesis presents the professional biography of Dinorá de Carvalho (1895-1980), Brazilian pianist, composer and conductor, looking into her first 45 years of life. I directed the research to the primary sources, forming the documentary corpus from newspaper and magazine clippings, concert programs, photographs, letters, official documents as well as other documents present in the Dinorá Gontijo de Carvalho Murici Collection, (which is in the custody of the Museu da Imagem e do Som – MIS – in São Paulo/SP, in the periodicals made available online by the Hemeroteca Digital of the Brazilian National Library, in the online collection of the newspaper O Estado de São Paulo, in the online collection of the newspaper A Folha de Sâo Paulo and in the digital collection of Biblioteque National Francese – Gallica and Retronews: press site of the BNF. Within these sources we will see the development of Dinorá de Carvalho's years of musical training, observing her studies, the development of her career as a pianist and composer in Brazil and abroad; her performance as a conductor and also her actions as a Brazilian citizen in the difficult national moment of the Constitutionalist War; her experience with radio as an artist and programmer, creating a new image of Dinorá de Carvalho and her great importance in our Brazilian musical historiography. Notes: Tese apresentada ao Instituto de Artes da Universidade Federal de Uberlândia, como exigência parcial para a promoção à Classe E de Professor Titular do Magistério Superior.

2022-08-10T00:00:00Z