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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/19054" />
  <subtitle />
  <id>https://repositorio.ufu.br/handle/123456789/19054</id>
  <updated>2026-08-05T10:20:14Z</updated>
  <dc:date>2026-08-05T10:20:14Z</dc:date>
  <entry>
    <title>Discurso, poder e violência: a construção da vítima no caso Ângela Diniz</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49240" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49240</id>
    <updated>2026-08-01T06:28:51Z</updated>
    <published>2026-03-23T00:00:00Z</published>
    <summary type="text">Title: Discurso, poder e violência: a construção da vítima no caso Ângela Diniz</summary>
    <dc:date>2026-03-23T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Análise do papel discursivo das sentenças passivas em manchetes  jornalísticas</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49225" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49225</id>
    <updated>2026-08-01T06:28:50Z</updated>
    <published>2026-03-05T00:00:00Z</published>
    <summary type="text">Title: Análise do papel discursivo das sentenças passivas em manchetes  jornalísticas</summary>
    <dc:date>2026-03-05T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>O signo arbitrário em Saussure e a norma convencional em Kelsen: encontros, desencontros e relação sistemática</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/48925" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/48925</id>
    <updated>2026-07-21T06:26:56Z</updated>
    <published>2025-10-05T00:00:00Z</published>
    <summary type="text">Title: O signo arbitrário em Saussure e a norma convencional em Kelsen: encontros, desencontros e relação sistemática
Abstract: This work addresses a characteristic of Ferdinand de Saussure’s concept of language, namely, the arbitrariness of the sign, and Hans Kelsen’s conventionalism of the legal norm, highlighting convergences, divergences, and theoretical implications. The research demonstrates that both language and law can be understood as symbolic systems. In this study, we specifically examine the extent to which such systems can be compared, emphasizing the points of convergence and divergence, whose differences and interdependencies allow for a fruitful dialogue between the two fields of knowledge.</summary>
    <dc:date>2025-10-05T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Tempo, interioridade e morte: a poética existencial em "Canto de outono" e "Solidão na cidade", de Ruy Belo</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/48540" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/48540</id>
    <updated>2026-03-17T06:20:58Z</updated>
    <published>2026-02-27T00:00:00Z</published>
    <summary type="text">Title: Tempo, interioridade e morte: a poética existencial em "Canto de outono" e "Solidão na cidade", de Ruy Belo
Abstract: In Ruy Belo’s work, poetry invokes a profound meditative step in relation to the flow of &#xD;
meaning we give to things. Time, the everyday life that surrounds us, the space around us, &#xD;
people are part of a construct that shapes, destroys, and rebuilds our perception of the world &#xD;
and ourselves at every moment. Based on this, we aim to investigate the configuration of &#xD;
lyricism present in the poems “Canto de outono” (Autumn Song) and “Solidão na cidade” &#xD;
(Loneliness in the City), featured in the work Transporte no tempo (Transport in Time) by Ruy &#xD;
Belo (2017), to unravel, in dialogue with Martin Heidegger’s phenomenological-hermeneutic&#xD;
ontological method, a possible approach to human essence, in the sense of searching for this &#xD;
lost meaning. To this end, we outlined a historical parameter on 20th-century Portuguese &#xD;
literature, drawing on the studies of Eduardo Lourenço and Rosa Maria Martelo, in particular, &#xD;
with a view to contextualizing the literary moment that Portugal was experiencing. In this &#xD;
regard, we also note the essayist Ruy Belo (2002), in Na senda da poesia, a work in which he &#xD;
exemplifies some of his perspectives on poíesis.</summary>
    <dc:date>2026-02-27T00:00:00Z</dc:date>
  </entry>
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