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  <title>DSpace Collection:</title>
  <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/17909" />
  <subtitle />
  <id>https://repositorio.ufu.br/handle/123456789/17909</id>
  <updated>2026-08-24T21:38:03Z</updated>
  <dc:date>2026-08-24T21:38:03Z</dc:date>
  <entry>
    <title>Uberlândia entre a pena e a vitrine: narrativas memorialísticas e museológicas na construção da memória oficial de Uberlândia  (1916-2026)</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49803" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49803</id>
    <updated>2026-08-24T19:09:11Z</updated>
    <published>2026-07-23T00:00:00Z</published>
    <summary type="text">Title: Uberlândia entre a pena e a vitrine: narrativas memorialísticas e museológicas na construção da memória oficial de Uberlândia  (1916-2026)
Abstract: The objective of this work is to analyze critically and compare the historical-memorial narratives in the works of Roberto Capri (1916) and Pedro Pezzuti (1922) and the museological historical narrative produced by the exhibition Nossas Raízes at the Municipal Museum of Uberlândia, inaugurated in 2000. Firstly, the historiographical character of memorialist works and how these works influence history and historiography is discussed. An analysis is made about the works to highlight their importance in the construction of collective memory, and another critical analysis is made of the Nossas Raízes exhibition. These two memorialists aim, &#xD;
even if indirectly, to construct an official historical narrative of Uberlândia/MG, given that such narratives are directly or indirectly linked to dominant social groups and the established municipal public power. This research also observes how memorialist works are pioneers in the construction of the city's collective memory and how the aforementioned exhibition can be seen as an heir to this construction, preserving and disseminating this memory. Therefore, it can be noticed that narrative constructions related to civility, order, progress, and modernity, have greatly influenced political, economic, social, and cultural life in Uberlândia since the 20th &#xD;
century, are still present in contemporary times. Finally, the research proposes a pedagogical intervention that focuses on museological and heritage narratives and offers critical perspectives to students on heritage, representation, memory and history in Uberlândia.</summary>
    <dc:date>2026-07-23T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Turma da Mônica em: um olhar historiográfico sobre a imagem da menina a partir da construção da personagem  Mônica, de Mauricio de Sousa (1963-1970)</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49798" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49798</id>
    <updated>2026-08-24T18:39:37Z</updated>
    <published>2026-07-20T00:00:00Z</published>
    <summary type="text">Title: Turma da Mônica em: um olhar historiográfico sobre a imagem da menina a partir da construção da personagem  Mônica, de Mauricio de Sousa (1963-1970)
Abstract: Comic book characters such as Mônica, created by Mauricio de Sousa, have managed to endure&#xD;
across generations due to their strong representational capacity. In this sense, it becomes&#xD;
relevant to investigate the process of construction of the character during the seven years that&#xD;
separate her appearance in newspaper comic strips (1963) from the publication of her own&#xD;
magazine, Mônica e a Sua Turma (1970). The aim is to understand why this girl, who&#xD;
challenged the aesthetic and behavioral standards of her time, became consolidated as a central&#xD;
protagonist of Brazilian culture. This qualitative research conducts a detailed study of sources,&#xD;
ranging from the strips originally published in Folha de São Paulo (1963–1970) to the first&#xD;
story starring her released in comic book format in the following decade (1970). Engaging with&#xD;
authors from different areas of the Humanities, such as Philippe Ariès (1981), Joan Scott (1995),&#xD;
Márcio Antônio Gatti (2013), and Lajolo &amp; Zilberman (2017), the study proposes to structure&#xD;
a historiographical perspective on the construction of the female child character, seeking to&#xD;
understand how her representation reverberated in the ways childhood was viewed and&#xD;
portrayed in comics. By connecting Brazilian children’s literature, comics, childhood, and&#xD;
gender, the research seeks to answer questions about the origin of the character Mônica, her&#xD;
consolidation as the protagonist of Mauricio de Sousa Produções’ publications, and her impact&#xD;
on the conception of childhood in Brazil. Finally, the study also analyzes how Mônica was&#xD;
incorporated into Brazilian education, investigating her presence in the school environment and&#xD;
exploring the possibilities of using comics as a pedagogical resource in History teaching.</summary>
    <dc:date>2026-07-20T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Luz na História: ficção histórica e a Abolição da Escravidão no Brasil, uma proposta didática</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49782" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49782</id>
    <updated>2026-08-24T16:47:32Z</updated>
    <published>2026-07-02T00:00:00Z</published>
    <summary type="text">Title: Luz na História: ficção histórica e a Abolição da Escravidão no Brasil, uma proposta didática</summary>
    <dc:date>2026-07-02T00:00:00Z</dc:date>
  </entry>
  <entry>
    <title>Entre o futebol elitista e as massas torcedoras: o movimento popular das torcidas organizadas em São Paulo</title>
    <link rel="alternate" href="https://repositorio.ufu.br/handle/123456789/49743" />
    <author>
      <name />
    </author>
    <id>https://repositorio.ufu.br/handle/123456789/49743</id>
    <updated>2026-08-24T13:08:15Z</updated>
    <published>2026-04-01T00:00:00Z</published>
    <summary type="text">Title: Entre o futebol elitista e as massas torcedoras: o movimento popular das torcidas organizadas em São Paulo
Abstract: This work aims to understand how organized fan groups in the state of São Paulo have given an active voice to football fans, a historically elitist sport. To this end, I examine the trajectory of football in its homeland, England, and its arrival in Brazil, traversing the sport's early years until it became a mass sport, filling stadiums. In this process, I analyze the beginnings of fan organization, the uniformed fan groups, and differentiate them from the central object of this research, the organized fan groups, situating the historical context of each at the time of their creation. Books, articles, and academic dissertations were used to trace the entire trajectory of the sport and fan organizations.</summary>
    <dc:date>2026-04-01T00:00:00Z</dc:date>
  </entry>
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